Archive for August, 2012

“Extractum carnis”

At the FT, Polly Russell on the history of Lemco "liquid beef" (FT site registration required), with special emphasis on Eva Tuite's Lemco-inspired recipe book:
Interspersed with the recipes and seasonal lists are adverts for Liebig Company products: Oxo “fluid beef” (“Energy without Waiting”) and Fray Bentos canned goods (“Always Ready, Always Acceptable”).
There is no mincing words:

“51 percent of respondents, including a majority of Millennials, believe stormy weather can interfere…”

“51 percent of respondents, including a majority of Millennials, believe stormy weather can interfere with cloud computing.”

- Citrix press release: Most Americans Confused By Cloud Computing According to National Survey (via Ian Gowen). (via blech)

Statement of purpose

This is a journal, not a diary. Diaries are kept by girls and tell all about their dates and what they think of their different boy friends. My mother says that men keep diaries too, that the most famous diary in the world was kept a long time ago by an Englishman named Pepys. That may be so, but when I read about pirates and explorers and sea captains they always keep journals, so this is going to be a journal. It is going to be a record of what happens to me this summer in New Jersey.

[Who wrote this? Which book?]

Statement of purpose

This is a journal, not a diary. Diaries are kept by girls and tell all about their dates and what they think of their different boy friends. My mother says that men keep diaries too, that the most famous diary in the world was kept a long time ago by an Englishman named Pepys. That may be so, but when I read about pirates and explorers and sea captains they always keep journals, so this is going to be a journal. It is going to be a record of what happens to me this summer in New Jersey.

[Who wrote this? Which book?]

Statement of purpose

This is a journal, not a diary. Diaries are kept by girls and tell all about their dates and what they think of their different boy friends. My mother says that men keep diaries too, that the most famous diary in the world was kept a long time ago by an Englishman named Pepys. That may be so, but when I read about pirates and explorers and sea captains they always keep journals, so this is going to be a journal. It is going to be a record of what happens to me this summer in New Jersey.

[Who wrote this? Which book?]

Statement of purpose

This is a journal, not a diary. Diaries are kept by girls and tell all about their dates and what they think of their different boy friends. My mother says that men keep diaries too, that the most famous diary in the world was kept a long time ago by an Englishman named Pepys. That may be so, but when I read about pirates and explorers and sea captains they always keep journals, so this is going to be a journal. It is going to be a record of what happens to me this summer in New Jersey.

[Who wrote this? Which book?]

Statement of purpose

This is a journal, not a diary. Diaries are kept by girls and tell all about their dates and what they think of their different boy friends. My mother says that men keep diaries too, that the most famous diary in the world was kept a long time ago by an Englishman named Pepys. That may be so, but when I read about pirates and explorers and sea captains they always keep journals, so this is going to be a journal. It is going to be a record of what happens to me this summer in New Jersey.

[Who wrote this? Which book?]

Statement of purpose

This is a journal, not a diary. Diaries are kept by girls and tell all about their dates and what they think of their different boy friends. My mother says that men keep diaries too, that the most famous diary in the world was kept a long time ago by an Englishman named Pepys. That may be so, but when I read about pirates and explorers and sea captains they always keep journals, so this is going to be a journal. It is going to be a record of what happens to me this summer in New Jersey.

[Who wrote this? Which book?]

Statement of purpose

This is a journal, not a diary. Diaries are kept by girls and tell all about their dates and what they think of their different boy friends. My mother says that men keep diaries too, that the most famous diary in the world was kept a long time ago by an Englishman named Pepys. That may be so, but when I read about pirates and explorers and sea captains they always keep journals, so this is going to be a journal. It is going to be a record of what happens to me this summer in New Jersey.

[Who wrote this? Which book?]

Statement of purpose

This is a journal, not a diary. Diaries are kept by girls and tell all about their dates and what they think of their different boy friends. My mother says that men keep diaries too, that the most famous diary in the world was kept a long time ago by an Englishman named Pepys. That may be so, but when I read about pirates and explorers and sea captains they always keep journals, so this is going to be a journal. It is going to be a record of what happens to me this summer in New Jersey.

[Who wrote this? Which book?]

Statement of purpose

This is a journal, not a diary. Diaries are kept by girls and tell all about their dates and what they think of their different boy friends. My mother says that men keep diaries too, that the most famous diary in the world was kept a long time ago by an Englishman named Pepys. That may be so, but when I read about pirates and explorers and sea captains they always keep journals, so this is going to be a journal. It is going to be a record of what happens to me this summer in New Jersey.

[Who wrote this? Which book?]

The Impossible Cloud (animation) (by Sascha Pohflepp)



The Impossible Cloud (animation) (by Sascha Pohflepp)

THIS IS HOW WE WALK ON THE MOON

This week’s radio show had a nice gentle flow to it. Kora & cello, vintage Arthur Russell, vintage Sory Kandia Kouyaté, new bass events, extra nutrition. Now streaming:

tracklist
Ballaké Sissoko and Vincent Segal Wo Ye N’gnougobine Chamber Music
Arthur Russel This Is How We Walk On The Moon Another Thought
Physical Therapy Drone On feat. Jamie Krasner (Supreme Cuts mix)
Konx-Om-Pax Hurt Face Regional Surrealism Planet Mu
Sory Kandia Kouyaté Sakhodougou La Voix De La Révolution
Staff Benda Bilili Souci (Worries) Bouger Le Monde!
Ondatrópica Linda Manana Ondatrópica Soundway
ASAP Rocky Purple Kisses Lords Never Worry
Gantman Get That Bag none sefl-released
Kamel Nemri Lemrabta Maghreb Mix Party
Starfoxxx Bazooka (Nadus remix)
Ramzi Cocktail Tounsi Maghreb Mix Party
Ballaké Sissoko and Vincent Segal Chamber Music

Iggy Pop’s “Run Like a Villain” single came…



Iggy Pop’s “Run Like a Villain” single came out August 31, 1982. Here’s part of a live TV performance from around that time.

Ludus’s “Danger Came Smiling” album came out…



Ludus’s “Danger Came Smiling” album came out August 31, 1982. Here’s “Bitch Party” from it.

Photo post

Because I haven’t done one of these here for a while, and it’s Friday:

Geometry.

Genuine Parts.

Not actually trompe loeil, but.

Witness the faith evidenced by leaving the Lord to watch over your ladder, water, hazard cone and — I think — lunch.

Labor Day: Why Unions Still Matter

In honor of Labor Day, online orders at Beacon.org are 20% off with the code LaborDay12. Offer ends Sept. 4, so shop now!

Bill Fletcher Jr. is the author of "They're Bankrupting Us!": And 20 Other Myths about Unions. Fletcher is a long-time racial-justice, labor, and international activist, scholar, and author. He has been involved in the labor movement for decades, and is a widely known speaker and writer in print and on radio, television, and the Web. He has served in leadership positions with many prominent union and labor organizations, including the AFL-CIO and the Service Employees International Union. Fletcher is currently the director of field services for the American Federation of Government Employees. We conducted this Q&A with him via email in honor of the Labor Day holiday.

0332

How have attitudes toward labor unions changed in the United States over the past few decades?

Attitudes towards unions have fluctuated depending, in part, on what segment of society you are talking about. More than half of non-union workers would like to be in a union or an association of workers. This has been fairly consistent. What has changed is that unions, particularly public sector unions, have become punching bags for politicians. This might be the result of trying to find ways of saving money that do not depend on raising taxes on the wealthy, or there might be very ideological reasons. In either cases, the elite in this society has turned on unions with ferocity. As unions have weakened, so too has their presence in the media. As regular people know less and less about unions, their opinions can be shaped and reshaped by anti-union forces in and outside of the media.

Was there ever a time that unions were viewed more favorably by the public and the media?

Absolutely. Here the answer depends, in part, on what part of the USA, but in general in the 1930s-the late 1960s, unions were viewed very favorably. In the 1930s and 1940s they were seen as being at the leadership of a movement for social and economic justice. This became less true after the Cold War devastated the unions and frightened them away from anything that was perceived as being left-wing. But that said, unions were seen as helping to raise all boats.

What are some of the greatest difficulties that public unions face today?

State, county and municipal budgets rely to a great degree on regressive taxes. As these bodies have allowed the wealthy and the corporations to pay less in taxes (and/or get tremendous tax breaks) the revenue had to be obtained elsewhere. Politicians began looking at public sector workers as a convenient target. Additionally, as private sector workers have found themselves to be victims of concessionary demands and, as a result, lose many hard-won gains, they have often found themselves focusing their anger and resentment on the public sector workers. Also, public sector unions face the constant threat of privatization of jobs, so there is a regular defensive battle to protect what they have. Public sector unions, in too many cases, stopped organizing, whether that was with regard to other public sector workers or organizing workers who worked in privatized facilities. In some respects, and quite ironically, one of the greatest challenges facing public sector unions is to figure out how to support the re-organizing of the private sector workforce. Federal workers face many of the same threats as state, county and municipal workers, and, as we have seen over the last few years, have been made scapegoats for budget deficits.

What do you see as the biggest benefit of unionizing a workplace?

It provides workers with an opportunity to gain a voice in the workplace; a possibility for raising their wages and benefits; and a means to begin to democratize the workplace such that the workers end up having real rights rather than being the subject of arbitrary treatment by employers.

What advice do you have for workers interested in unionizing?

First, make sure that there is not, already, a union at your workplace. If there is, speak with a representative of the union about it. Second, go to www.aflcio.org and read up on unions. Contact the central labor council—a body of unions from across the board who meet regularly and attempt to coordinate their work (central labor councils are usually at the county or municipal level)—and ask them which union would be most appropriate for the type of the job in which you work. Get some of your co-workers together and meet with a representative from the union. Even if there is no union that covers your sort of job, put together an informal committee of workers in your workplace who commit to working together for justice in your workplace...and then call me.

The Gun Club’s “Fire of Love” single came out…



The Gun Club’s “Fire of Love” single came out August 31, 1982.

Soviet aerialism

Courtesy of Marina H., a lovely piece by Chloe Aridjis on time spent in  East Berlin researching the early Soviet space program:
One tome suggests applying the four humours to the process of task selection: the choleric individual is quick to learn but, prone to impatience, makes mistakes – therefore best for special assignments rather than routine ones; sanguine types flourish under variety and constant excitement rather than repetition (Gagarin was apparently one of these); phlegmatic types, on the other hand, are recommended for systematic activity; and melancholic types . . . cannot become cosmonauts due to their nervous, fearful temperament, and are best suited to be scientific advisors on ground.

Writer as corporation

Interesting interview here with YA writer Cassandra Clare about the business of writing.  I have none of the gifts she clearly possesses in abundance - for all sorts of reasons, I am very lucky to be a professor rather than a writer trying to make a decent living off publishing fiction! - but I like reading about the truly entrepreneurial...

Kirk Your Enthusiasm (25)

Twenty-fifth in a series of posts, each one analyzing a single Captain Kirk scene from the Star Trek canon.

***

How Spock wins | Star Trek | 2009

About halfway through the 2009 Star Trek movie, Kirk and Spock have a fight. We as the audience already know that Spock is capable of emotion — we’ve seen him making out with Uhura — but this is the first time anybody on the bridge has seen it. Kirk is an unambiguous douchebag. He lashes out with the futuristic equivalent of racist name-calling, sneering at Spock’s Vulcan habit of repressing emotion, insulting him for not feeling “the need to avenge the death of the woman who gave birth to you.” When Spock deflects this anti-Vulcan smear, Kirk continues: “You feel nothing! You never loved her!”

Apparently this is too much. In response, Spock nearly kills Kirk, punching him down onto a control panel, seizing his throat with the hand we know can deal the Vulcan death grip. The screen is flooded with light; JJ Abrams’ now-infamous lens flare effects strobe white, blinding us, turning Spock into someone we can barely see, but whose true character has emerged crisply for the first time.

Spock is only brought back from his murderous rage by the shocked voice of his father. Ashamed, Spock pulls away from Kirk, whose chest-heaving response has already made this snippet of the film a favorite among fans. On YouTube, their fight has been recut as a love scene, a sex scene, and a romantic music video.

But Spock is not in love. He is repulsed — by himself, and by Kirk. He turns to McCoy and says, “Doctor I am no longer fit for duty. I relinquish my command based on the fact that I have been emotionally compromised.” Perhaps we are supposed to believe that Kirk has won. He psyched out Spock! He’s gotten control of the ship by exposing Spock’s weakness!

I think there is an oppositional way to read this scene. In this glowing space of strangulation and “emotional compromise” we find a new interpretation of Kirk and Spock. Unlike the brave, righteous Kirks of the original television series and the movies, this new Kirk is manipulative and morally vacant. He’s a bigot — or he’s pretending to be one to get a rise out of Spock. Either way, he is no hero. And the emotion he suggests that Spock should be feeling — a lust for
revenge — is what we later discover motivates the movie’s Big Bad, the angry Romulan Nero.

When Spock at last becomes the man Kirk wants him to be, full of rage, he declares himself no longer fit for duty. Spock is the only person on the bridge who seems to realize that good leadership is about rationality, not power games and emotional outbursts. This makes him a true leader. And indeed, his story arc in this film is far richer and more heroic than Kirk’s. In this version of the Star Trek universe, Spock has eclipsed Kirk. By relinquishing his captaincy, he shows us who the captain really is.

***

POSTS IN THIS SERIES: Justice or vengeance? by DAFNA PLEBAN | Kirk teaches his drill thrall to kiss by MARK KINGWELL | “KHAAAAAN!” by NICK ABADZIS | “No kill I” by STEPHEN BURT | Kirk browbeats NOMAD by GREG ROWLAND | Kirk’s eulogy for Spock by ZACK HANDLEN | The joke is on Kirk by PEGGY NELSON | Kirk vs. Decker by KEVIN CHURCH | Good Kirk vs. Evil Kirk by ENRIQUE RAMIREZ | Captain Camelot by ADAM MCGOVERN | Koon-ut-kal-if-fee by FLOURISH KLINK | Federation exceptionalism by DAVID SMAY | Wizard fight by AMANDA LAPERGOLA | A million things you can’t have by STEVE SCHNEIDER | Debating in a vacuum by JOSHUA GLENN | Klingon diplomacy by KELLY JEAN FITZSIMMONS | “We… the PEOPLE” by TRAV S.D. | Brinksmanship on the brink by MATTHEW BATTLES | Captain Smirk by ANNIE NOCENTI | Sisko meets Kirk by IAN W. HILL | Noninterference policy by GABBY NICASIO | Kirk’s countdown by PETER BEBERGAL | Kirk’s ghost by MATT GLASER | Watching Kirk vs. Gorn by JOE ALTERIO | How Spock wins by ANNALEE NEWITZ

SCIENCE FICTION ON HILOBROW Peggy Nelson on William Shatner as HiLo Hero | Greg Rowland on Leonard Nimoy as HiLo Hero | Peggy Nelson on William Shatner in Incubus | Matthew Battles on enlarging the Trek fanfic canon | Jack London’s The Scarlet Plague, serialized | Rudyard Kipling’s With the Night Mail, serialized | Arthur Conan Doyle’s The Poison Belt, serialized | H. Rider Haggard’s When the World Shook, serialized | Edward Shanks’ The People of the Ruins, serialized | William Hope Hodgson’s The Night Land, serialized | Radium Age Supermen | Radium Age Robots | Radium Age Apocalypses | Radium Age Telepaths | Radium Age Eco-Catastrophes | Radium Age Cover Art (1) | SF’s Best Year Ever: 1912 | Radium Age Science Fiction Poetry | Enter Highbrowism | Edgar Rice Burroughs | Karel Čapek | Buster Crabbe | August Derleth | Charlotte Perkins Gilman | Hermann Hesse | Aldous Huxley | Inez Haynes Irwin | Alfred Jarry | Jack Kirby (Radium Age sf’s influence on) | H.P. Lovecraft | Maureen O’Sullivan | Sax Rohmer | Upton Sinclair | Clark Ashton Smith | E.E. “Doc” Smith | Olaf Stapledon | H.G. Wells | Yevgeny Zamyatin | AND LOTS MORE

HILOBOOKS: In 2012-13, HiLobrow is serializing ten overlooked works of science fiction from the genre’s (1904-33) Radium Age; and HiLoBooks is publishing them in paperback! Here are the first six titles: Jack London’s The Scarlet Plague (May 2012, Introduction by Matthew Battles; PURCHASE NOW), Rudyard Kipling’s With the Night Mail and “As Easy as A.B.C.” (June 2012, Introduction by Matthew De Abaitua and Afterword by Bruce Sterling; PURCHASE NOW), Arthur Conan Doyle’s The Poison Belt (August 2012, Introduction by Joshua Glenn and Afterword by Gordon Dahlquist; PURCHASE NOW), H. Rider Haggard’s When the World Shook (October 2012, Introduction by James Parker; PRE-ORDER NOW), Edward Shanks’ The People of the Ruins (November 2012, Introduction by Tom Hodgkinson; PRE-ORDER NOW), and William Hope Hodgson’s The Night Land (April 2013, Afterword by Erik Davis; PRE-ORDER NOW).

Black Scat Books Window Display

"To Hell With The Ugly" by Boris Vian sharing space with other great titles
Read more about Black Scat Books and their adventures at http://blackscatbooks.wordpress.com/
And I am very happy that they have my Vian title on display at their window.

Black Scat Books Window Display

"To Hell With The Ugly" by Boris Vian sharing space with other great titles
Read more about Black Scat Books and their adventures at http://blackscatbooks.wordpress.com/
And I am very happy that they have my Vian title on display at their window.

The idea  of a one-to-one scale map of the world, portraying everything in it, is a venerable…

The idea  of a one-to-one scale map of the world, portraying everything in it, is a venerable device in literature, surfacing most famously in the work of Lewis Carroll and Jorge Luis Borges; in Harry Potter, there’s a map that shows what everyone in Hogwarts is doing at every moment. But in the era of Street View Trekker and Liquid Galaxy, these fictional maps seem somewhat less absurd – and the level of detail is only one way in which maps are changing. Increasingly, the boundary between consulting a map and interacting with the world outside it is blurring: when Google glasses, currently in prototype, can project directions, or reviews of the restaurant you’re looking at, directly into your visual field, what does the word “map” mean anymore? While researching his forthcoming book, A History of the World in Twelve Maps, Brotton sometimes brought up the “one-to-one map” idea, from Borges and Carroll, with people at Google, but they didn’t find it particularly witty or intriguing.

“Oh, yeah,” they would reply, matter-of-factly. “We can make that map.”

How Google and Apple’s digital mapping is mapping us | Technology | The Guardian

Incidents of travel in the Yucatan, Part 4 *

This is the mercado in Tizimin, a stop between Valladolid and the port of Chiquilá. The mercado is easily one of the coolest structures I think I've ever seen in Mexico. It is circular; concentric rows of stalls are separated in meats, produce, produce, and meats again. Tizimin is known for its meats. But not for this building, unbelievably. The design makes the market feel airy, inviting, even logical; those are qualities that would rarely be used to describe a mercado in Mexico, where stalls are usually crammed into a dense maze system. The circular design also permits the room...

August gleanings


“Chapters 1 and 2 are the collaboration of Pam and Brian, with a heavy admixture of Ben. Chapters 3 and 4 belong largely to Brian and Tony. Chapter 5 is the fruit of Pam’s long efforts in the Vatican Library and the Roman archives. Chapters 6 and 7 are largely the work of Tony, with interventions from Brian. Chapters 8 and 9 are a three-way collaboration, with equal parts Ben, Brian, and Tony. Chapters 10 and 11 are Ben’s. Chapter 12, the epilogue, belongs to all of us. But this is truly a collaborative work.”

—from the introduction to Obelisk: A History, by Brian A. Curran, Anthony Grafton, Pamela O. Long, and Benjamin Weiss (2009)

*




"The vision of H.P. Lovecraft as a matchmaker is an unlikely one, but knowing that a young author named Henry Kuttner had been greatly impressed by C.L. Moore’s fiction, he arranged a correspondence between the two, which eventually culminated in their marriage.
            "[…][T]he marriage was professional as well as personal; few stories by either of them after the event were by one of them alone. Dual efforts would appear under either name, not to mention any one of nineteen (!) pseudonyms."


August gleanings


“Chapters 1 and 2 are the collaboration of Pam and Brian, with a heavy admixture of Ben. Chapters 3 and 4 belong largely to Brian and Tony. Chapter 5 is the fruit of Pam’s long efforts in the Vatican Library and the Roman archives. Chapters 6 and 7 are largely the work of Tony, with interventions from Brian. Chapters 8 and 9 are a three-way collaboration, with equal parts Ben, Brian, and Tony. Chapters 10 and 11 are Ben’s. Chapter 12, the epilogue, belongs to all of us. But this is truly a collaborative work.”

—from the introduction to Obelisk: A History, by Brian A. Curran, Anthony Grafton, Pamela O. Long, and Benjamin Weiss (2009)

*




"The vision of H.P. Lovecraft as a matchmaker is an unlikely one, but knowing that a young author named Henry Kuttner had been greatly impressed by C.L. Moore’s fiction, he arranged a correspondence between the two, which eventually culminated in their marriage.
            "[…][T]he marriage was professional as well as personal; few stories by either of them after the event were by one of them alone. Dual efforts would appear under either name, not to mention any one of nineteen (!) pseudonyms."


Beacon Buzz: Labor Day Sale, the Tweet Laureate, and more!

Labor Day Sale:

In honor of Labor Day, online orders at Beacon.org are 20% off with the code LaborDay12. Offer ends Sept. 4. Some suggested titles that will help you brush up on your knowledge of the holiday:

0332 "They're Bankrupting Us!" And 20 Other Myths about Unions by Bill Fletcher Jr.

From Wisconsin to Washington, DC, the claims are made: unions are responsible for budget deficits, and their members are overpaid and enjoy cushy benefits. The only way to save the American economy, pundits claim, is to weaken the labor movement, strip workers of collective bargaining rights, and champion private industry. In "They're Bankrupting Us!": And 20 Other Myths about Unions, labor leader Bill Fletcher Jr. makes sense of this debate as he unpacks the twenty-one myths most often cited by anti-union propagandists. Drawing on his experiences as a longtime labor activist and organizer, Fletcher traces the historical roots of these myths and provides an honest assessment of the missteps of the labor movement. He reveals many of labor's significant contributions, such as establishing the forty-hour work week and minimum wage, guaranteeing safe workplaces, and fighting for equity within the workforce. This timely, accessible, "warts and all" book argues, ultimately, that unions are necessary for democracy and ensure economic and social justice for all people.

Read a review at Labor Notes.

 

Book cover for All Labor Has Dignity by Martin Luther King Jr.“All Labor Has Dignity” by Martin Luther King, Jr. Edited and introduction by Michael K. Honey

People forget that Dr. King was every bit as committed to economic justice as he was to ending racial segregation. He fought throughout his life to connect the labor and civil rights movements, envisioning them as twin pillars for social reform. As we struggle with massive unemployment, a staggering racial wealth gap, and the near collapse of a financial system that puts profits before people, King's prophetic writings and speeches underscore his relevance for today. They help us imagine King anew: as a human rights leader whose commitment to unions and an end to poverty was a crucial part of his civil rights agenda.

Covering all the civil rights movement highlights-Montgomery, Albany, Birmingham, Selma, Chicago, and Memphis-award-winning historian Michael K. Honey introduces and traces King's dream of economic equality. Gathered in one volume for the first time, the majority of these speeches will be new to most readers. The collection begins with King's lectures to unions in the 1960s and includes his addresses during his Poor People's Campaign, culminating with his momentous "Mountaintop" speech, delivered in support of striking black sanitation workers in Memphis. Unprecedented and timely, "All Labor Has Dignity" will more fully restore our understanding of King's lasting vision of economic justice, bringing his demand for equality right into the present.

 

5013Three Strikes: Miners, Musicians, Salesgirls, and the Fighting Spirit of Labor's Last Century by Dana Frank, Robin D. G. Kelly, and Howard Zinn

Three renowned historians present stirring tales of labor: Howard Zinn tells the grim tale of the Ludlow Massacre, a drama of beleaguered immigrant workers, Mother Jones, and the politics of corporate power in the age of the robber barons. Dana Frank brings to light the little-known story of a successful sit-in conducted by the 'counter girls' at the Detroit Woolworth's during the Great Depression. Robin D. G. Kelley's story of a movie theater musicians' strike in New York asks what defines work in times of changing technology.

"Three Strikes brings to life the heroic men and women who put their jobs, bodies, and lives on the line to win a better life for all working Americans. Zinn, Frank, and Kelley show us that while the country and the union movement have changed greatly in the last hundred years, our struggle to close the divide between rich and poor remains the same."-John Sweeney, president, AFL-CIO

"Provocative analysis of still relevant issues, as the passionate, sometimes violent demonstrations at international meetings of the global economy demonstrate."-Mary Carroll, Booklist

"Highly readable, well-researched narratives of dramatic action"-Leon Fink, Chicago Tribune

 

"Political" News:

LIPMAN-TweetLandofLibertyTweet Land of Liberty: Irreverent Rhymes from the Political Circus by @ElinorLipman

Featured on Amazon's Omnivoracious Blog with an original poem by Lipman.

Beacon launched a new “campaign” to name Elinor Lipman Tweet Laureate of the United States (would this be TLOTUS?).

The campaign includes a Twitter-based giveaway for a free copy of Tweet Land of Liberty and a limited edition campaign button. To enter, this text:

I support a funnier America! @ElinorLipman for #TweetLaureate: http://goo.gl/Bjnjp  #TweetLandofLiberty

Be sure to watch and share the Campaign Video.



Notable Mentions:

6912The Long Walk to Freedom: Runaway Slave Narratives edited by Devon W. Carbado and Donald Weise

Wall Street Journal review Aug 22: “Readers will learn more about slavery in the American South from these autobiographical accounts than they could from any textbook.” 

 

Faitheist: How an Atheist Found Common Ground with the Religious by Chris Stedman

Kirkus Reviews online August 29 and in print September 15:The searching, intelligent account of a gay man's experiences growing away from God and into a thoughtful and humane atheist Brave and refreshingly open-minded.

 

 

Upcoming Author Events:

Sacred Ground: Pluralism, Prejudice, and the Promise of America by Eboo Patel 

Eboo-sacredground

August 30th-31st, 2012: Concordia College, Moorhead, MN/Fargo,ND (Live Webcast available of this event!)

September 10th, 2012: Union Theological Seminary, New York, NY

September 17th, 2012: Augsburg College, Minneapolis, MN

October 9th, 2012: College of St. Scholastica, Duluth, MN

October 11th, 2012: : Chicago Ideas Week, Chicago, IL

Upcoming media appearances: MSNBC/Melissa Harris-Perry Show, Sunday, September 9th

WNYC Radio/Brian Lehrer Show (NPR New York), Tuesday, September 11th

 


Tweet Land of Liberty: Irreverent Rhymes from the Political Circus
by Elinor Lipman

Lipman-TweetlandSeptember 6th, 2012: Corner Bookstore (NYC)

September 23rd, 2012: Writers for Obama and Elizabeth Warren at the Hotel Northampton (Northhampton, MA)

September 24th, 2012: Broadside Books at 7 PM

September 27th, 2012: Women & Children First (Chicago, IL)

September 28th-29th, 2012: Ragdale Foundation, Lake Forest, IL

October 2nd, 2012: Port Washington Public Library (Port Washington, NY)

October 10th, 2012: Brookline Booksmith (Brookline, MA)

October 11th, 2012: Worcester Public Library

October 17th, 2012: Hewlett Woodmere Public Library (Long Island)

October 30th, 2012: Porter Square Books (Cambridge, MA)

A ‘Hank Rhon’ appears in a museum, and Mexicans mostly shrug

** Originally published at World Now: The art world in this art-obsessed city entertained a minor controversy last week during the official reopening of the Rufino Tamayo Museum in Chapultepec Park. With President Felipe Calderon presiding at an official ceremony, the museum was reinaugurated with the names of two patrons placed in gold-lettered signs in two refurbished halls. One hall is now named for Angelica Fuentes, president of Omnilife, a supplements company. The other is named for Carlos Hank Rhon, a banker who sparks polarizing reactions anywhere Mexicans gather to gossip or argue about the state of their country. Hank...

Street View Trekker (by googlemaps)



Street View Trekker (by googlemaps)

August gleanings


“Chapters 1 and 2 are the collaboration of Pam and Brian, with a heavy admixture of Ben. Chapters 3 and 4 belong largely to Brian and Tony. Chapter 5 is the fruit of Pam’s long efforts in the Vatican Library and the Roman archives. Chapters 6 and 7 are largely the work of Tony, with interventions from Brian. Chapters 8 and 9 are a three-way collaboration, with equal parts Ben, Brian, and Tony. Chapters 10 and 11 are Ben’s. Chapter 12, the epilogue, belongs to all of us. But this is truly a collaborative work.”

—from the introduction to Obelisk: A History, by Brian A. Curran, Anthony Grafton, Pamela O. Long, and Benjamin Weiss (2009)

*




"The vision of H.P. Lovecraft as a matchmaker is an unlikely one, but knowing that a young author named Henry Kuttner had been greatly impressed by C.L. Moore’s fiction, he arranged a correspondence between the two, which eventually culminated in their marriage.
            "[…][T]he marriage was professional as well as personal; few stories by either of them after the event were by one of them alone. Dual efforts would appear under either name, not to mention any one of nineteen (!) pseudonyms."


August gleanings


“Chapters 1 and 2 are the collaboration of Pam and Brian, with a heavy admixture of Ben. Chapters 3 and 4 belong largely to Brian and Tony. Chapter 5 is the fruit of Pam’s long efforts in the Vatican Library and the Roman archives. Chapters 6 and 7 are largely the work of Tony, with interventions from Brian. Chapters 8 and 9 are a three-way collaboration, with equal parts Ben, Brian, and Tony. Chapters 10 and 11 are Ben’s. Chapter 12, the epilogue, belongs to all of us. But this is truly a collaborative work.”

—from the introduction to Obelisk: A History, by Brian A. Curran, Anthony Grafton, Pamela O. Long, and Benjamin Weiss (2009)

*




"The vision of H.P. Lovecraft as a matchmaker is an unlikely one, but knowing that a young author named Henry Kuttner had been greatly impressed by C.L. Moore’s fiction, he arranged a correspondence between the two, which eventually culminated in their marriage.
            "[…][T]he marriage was professional as well as personal; few stories by either of them after the event were by one of them alone. Dual efforts would appear under either name, not to mention any one of nineteen (!) pseudonyms."


August gleanings


“Chapters 1 and 2 are the collaboration of Pam and Brian, with a heavy admixture of Ben. Chapters 3 and 4 belong largely to Brian and Tony. Chapter 5 is the fruit of Pam’s long efforts in the Vatican Library and the Roman archives. Chapters 6 and 7 are largely the work of Tony, with interventions from Brian. Chapters 8 and 9 are a three-way collaboration, with equal parts Ben, Brian, and Tony. Chapters 10 and 11 are Ben’s. Chapter 12, the epilogue, belongs to all of us. But this is truly a collaborative work.”

—from the introduction to Obelisk: A History, by Brian A. Curran, Anthony Grafton, Pamela O. Long, and Benjamin Weiss (2009)

*




"The vision of H.P. Lovecraft as a matchmaker is an unlikely one, but knowing that a young author named Henry Kuttner had been greatly impressed by C.L. Moore’s fiction, he arranged a correspondence between the two, which eventually culminated in their marriage.
            "[…][T]he marriage was professional as well as personal; few stories by either of them after the event were by one of them alone. Dual efforts would appear under either name, not to mention any one of nineteen (!) pseudonyms."


August gleanings


“Chapters 1 and 2 are the collaboration of Pam and Brian, with a heavy admixture of Ben. Chapters 3 and 4 belong largely to Brian and Tony. Chapter 5 is the fruit of Pam’s long efforts in the Vatican Library and the Roman archives. Chapters 6 and 7 are largely the work of Tony, with interventions from Brian. Chapters 8 and 9 are a three-way collaboration, with equal parts Ben, Brian, and Tony. Chapters 10 and 11 are Ben’s. Chapter 12, the epilogue, belongs to all of us. But this is truly a collaborative work.”

—from the introduction to Obelisk: A History, by Brian A. Curran, Anthony Grafton, Pamela O. Long, and Benjamin Weiss (2009)

*




"The vision of H.P. Lovecraft as a matchmaker is an unlikely one, but knowing that a young author named Henry Kuttner had been greatly impressed by C.L. Moore’s fiction, he arranged a correspondence between the two, which eventually culminated in their marriage.
            "[…][T]he marriage was professional as well as personal; few stories by either of them after the event were by one of them alone. Dual efforts would appear under either name, not to mention any one of nineteen (!) pseudonyms."


August gleanings


“Chapters 1 and 2 are the collaboration of Pam and Brian, with a heavy admixture of Ben. Chapters 3 and 4 belong largely to Brian and Tony. Chapter 5 is the fruit of Pam’s long efforts in the Vatican Library and the Roman archives. Chapters 6 and 7 are largely the work of Tony, with interventions from Brian. Chapters 8 and 9 are a three-way collaboration, with equal parts Ben, Brian, and Tony. Chapters 10 and 11 are Ben’s. Chapter 12, the epilogue, belongs to all of us. But this is truly a collaborative work.”

—from the introduction to Obelisk: A History, by Brian A. Curran, Anthony Grafton, Pamela O. Long, and Benjamin Weiss (2009)

*




"The vision of H.P. Lovecraft as a matchmaker is an unlikely one, but knowing that a young author named Henry Kuttner had been greatly impressed by C.L. Moore’s fiction, he arranged a correspondence between the two, which eventually culminated in their marriage.
            "[…][T]he marriage was professional as well as personal; few stories by either of them after the event were by one of them alone. Dual efforts would appear under either name, not to mention any one of nineteen (!) pseudonyms."


August gleanings


“Chapters 1 and 2 are the collaboration of Pam and Brian, with a heavy admixture of Ben. Chapters 3 and 4 belong largely to Brian and Tony. Chapter 5 is the fruit of Pam’s long efforts in the Vatican Library and the Roman archives. Chapters 6 and 7 are largely the work of Tony, with interventions from Brian. Chapters 8 and 9 are a three-way collaboration, with equal parts Ben, Brian, and Tony. Chapters 10 and 11 are Ben’s. Chapter 12, the epilogue, belongs to all of us. But this is truly a collaborative work.”

—from the introduction to Obelisk: A History, by Brian A. Curran, Anthony Grafton, Pamela O. Long, and Benjamin Weiss (2009)

*




"The vision of H.P. Lovecraft as a matchmaker is an unlikely one, but knowing that a young author named Henry Kuttner had been greatly impressed by C.L. Moore’s fiction, he arranged a correspondence between the two, which eventually culminated in their marriage.
            "[…][T]he marriage was professional as well as personal; few stories by either of them after the event were by one of them alone. Dual efforts would appear under either name, not to mention any one of nineteen (!) pseudonyms."


August gleanings


“Chapters 1 and 2 are the collaboration of Pam and Brian, with a heavy admixture of Ben. Chapters 3 and 4 belong largely to Brian and Tony. Chapter 5 is the fruit of Pam’s long efforts in the Vatican Library and the Roman archives. Chapters 6 and 7 are largely the work of Tony, with interventions from Brian. Chapters 8 and 9 are a three-way collaboration, with equal parts Ben, Brian, and Tony. Chapters 10 and 11 are Ben’s. Chapter 12, the epilogue, belongs to all of us. But this is truly a collaborative work.”

—from the introduction to Obelisk: A History, by Brian A. Curran, Anthony Grafton, Pamela O. Long, and Benjamin Weiss (2009)

*




"The vision of H.P. Lovecraft as a matchmaker is an unlikely one, but knowing that a young author named Henry Kuttner had been greatly impressed by C.L. Moore’s fiction, he arranged a correspondence between the two, which eventually culminated in their marriage.
            "[…][T]he marriage was professional as well as personal; few stories by either of them after the event were by one of them alone. Dual efforts would appear under either name, not to mention any one of nineteen (!) pseudonyms."


The Auditory Configuration of Hell

[Image: The howling of Hell, illustrated by Gustave Doré for Dante's Inferno].

Nearly seven years ago, we took a brief art historical look at the "landscape architecture of Hell," quoting critic Adrian Searle's description of the medieval abyss:
Terraced, pinnacled, travelling forever downward, the ledges, cities and basements of hell are furnished with sloughs, gorges and deserts; there are cities, rivers of boiling blood, lagoons of scalding pitch, burning deserts, thorny forests, ditches of shit and frozen subterranean lakes. Every kind of sin, and sinner, is catered for. Here, descending circle by circle, like tourists to Bedlam, came Dante and Virgil. Following them, at least through Dante's poem, came Botticelli.
In a recent issue of The Wire, writer and composer David Toop, in a short article about the various cultural uses of bass, comes to this topic from a different angle, asking what the netherworld of the damned might sound like.

He calls this, citing the Aeneid and Paradise Lost both, the "auditory configuration of Hell": "The auditory configuration of Hell is an opposition of low homogeneous moan and confused Babel, of deep tones and threnodic shrieks, as if combining the outer extremes of human perception is the most authentic expression of damnation." There is acoustic "distress," Toop writes, somewhere "between roaring water and the tumult of the wandering helpless unburied," where dogs howl and angels whirling to their doom are deafened by "the bellowing of the Earth itself."

Toop refers to the recent work of Hillel Schwartz, who has pointed out, in Toop's words, that "Hell was largely silent until Virgil"—a place of total silence—not the pandemonium of noise it seems in popular imagination to have since become.

So let's hear it for a much longer paper cataloging the shifting sounds of Hell—an interesting thesis topic for an comparative literature department somewhere, at the very least.

The Auditory Configuration of Hell

[Image: The howling of Hell, illustrated by Gustave Doré for Dante's Inferno].

Nearly seven years ago, we took a brief art historical look at the "landscape architecture of Hell," quoting critic Adrian Searle's description of the medieval abyss:
Terraced, pinnacled, travelling forever downward, the ledges, cities and basements of hell are furnished with sloughs, gorges and deserts; there are cities, rivers of boiling blood, lagoons of scalding pitch, burning deserts, thorny forests, ditches of shit and frozen subterranean lakes. Every kind of sin, and sinner, is catered for. Here, descending circle by circle, like tourists to Bedlam, came Dante and Virgil. Following them, at least through Dante's poem, came Botticelli.
In a recent issue of The Wire, writer and composer David Toop, in a short article about the various cultural uses of bass, comes to this topic from a different angle, asking what the netherworld of the damned might sound like.

He calls this, citing the Aeneid and Paradise Lost both, the "auditory configuration of Hell": "The auditory configuration of Hell is an opposition of low homogeneous moan and confused Babel, of deep tones and threnodic shrieks, as if combining the outer extremes of human perception is the most authentic expression of damnation." There is acoustic "distress," Toop writes, somewhere "between roaring water and the tumult of the wandering helpless unburied," where dogs howl and angels whirling to their doom are deafened by "the bellowing of the Earth itself."

Toop refers to the recent work of Hillel Schwartz, who has pointed out, in Toop's words, that "Hell was largely silent until Virgil"—a place of total silence—not the pandemonium of noise it seems in popular imagination to have since become.

So let's hear it for a much longer paper cataloging the shifting sounds of Hell—an interesting thesis topic for an comparative literature department somewhere, at the very least.

Morse Road

[Image: Curiosity's tire treads, courtesy of NASA and the nation's taxpayers].

It turns out that Bradbury Landing is also a kind of literary site, an interplanetary Newspaper Rock: the tracks left behind by the Curiosity rover are actually a form of Morse code.

The tire treads—wheeled hieroglyphs—spell out JPL, for the Jet Propulsion Laboratory here on earth.

[Image: Curiosity reveals its Morse code, courtesy of NASA].

From a JPL press release: "Careful inspection of the tracks reveals a unique, repeating pattern, which the rover can use as a visual reference to drive more accurately in barren terrain. The pattern is Morse code for JPL, the abbreviation for NASA's Jet Propulsion Laboratory in Pasadena, Calif., where the rover was designed and built, and the mission is managed."

This trackable terrain augmentation is a clever form of so-called visual odometry: "The purpose of the pattern is to create features in the terrain that can be used to visually measure the precise distance between drives," such that the visual appearance of the inscribed code will reveal signs of slippage and, thus, a need to re-chart or correct the rover's navigation. This will be especially useful on "featureless terrain."

[Image: Curiosity's tire treads, courtesy of NASA].

The example NASA uses is a picket fence:
"Imagine standing in front of a picket fence, and then closing your eyes and shifting to the side. When you open your eyes, you wouldn't be able to tell how many pickets you passed. If you had one picket that was a different shape though, you could always use that picket as your reference," said [Matt Heverly, lead rover driver at JPL]. "With Curiosity, it's a similar problem in featureless terrain like sand dunes. The hole pattern in the wheels gives us one 'big picket' to look at."
In other words, somewhere on the surface of Mars, codes from Earth—a new Linear A—will slowly drift apart over the years, becoming an unreadable road in the sand.

(Thanks to Nicola Twilley for the tip).

Morse Road

[Image: Curiosity's tire treads, courtesy of NASA and the nation's taxpayers].

It turns out that Bradbury Landing is also a kind of literary site, an interplanetary Newspaper Rock: the tracks left behind by the Curiosity rover are actually a form of Morse code.

The tire treads—wheeled hieroglyphs—spell out JPL, for the Jet Propulsion Laboratory here on earth.

[Image: Curiosity reveals its Morse code, courtesy of NASA].

From a JPL press release: "Careful inspection of the tracks reveals a unique, repeating pattern, which the rover can use as a visual reference to drive more accurately in barren terrain. The pattern is Morse code for JPL, the abbreviation for NASA's Jet Propulsion Laboratory in Pasadena, Calif., where the rover was designed and built, and the mission is managed."

This trackable terrain augmentation is a clever form of so-called visual odometry: "The purpose of the pattern is to create features in the terrain that can be used to visually measure the precise distance between drives," such that the visual appearance of the inscribed code will reveal signs of slippage and, thus, a need to re-chart or correct the rover's navigation. This will be especially useful on "featureless terrain."

[Image: Curiosity's tire treads, courtesy of NASA].

The example NASA uses is a picket fence:
"Imagine standing in front of a picket fence, and then closing your eyes and shifting to the side. When you open your eyes, you wouldn't be able to tell how many pickets you passed. If you had one picket that was a different shape though, you could always use that picket as your reference," said [Matt Heverly, lead rover driver at JPL]. "With Curiosity, it's a similar problem in featureless terrain like sand dunes. The hole pattern in the wheels gives us one 'big picket' to look at."
In other words, somewhere on the surface of Mars, codes from Earth—a new Linear A—will slowly drift apart over the years, becoming an unreadable road in the sand.

(Thanks to Nicola Twilley for the tip).

The Hoboken garage is one of a handful of fully automated parking structures that make more…

The Hoboken garage is one of a handful of fully automated parking structures that make more efficient use of space by eliminating ramps and driving lanes, lifting and sliding automobiles into slots and shuffling them as needed. If the robot shuts down, there is no practical way to manually remove parked vehicles.

In the days that followed, both sides dragged each other into court. Robotic accused Hoboken of violating its copyright. “This case is about them using software without a license,” said Dennis Clarke, chief operating officer of Robotic Parking, in a telephone interview last week.

At the same time, Hoboken accused Robotic of setting booby traps in the code, causing the garage to malfunction. Then Robotic accused Hoboken of endangering its business by allowing a competitor into the garage.

In the meantime, many of the garage’s customers simply couldn’t get their cars out.

According to Tom Jennemann, a staff writer who followed the story for the local Hudson Reporter, the distrust between the city and Robotic Parking goes back to the beginning of their relationship. “I think (the city) signed a bad contract,” says Jennemann. This conflict began after the last software term ran out at the end of 2005, and the city began to license the software on a month-to-month basis. By the end of July it had no legal access to the software at all.

Giant Robot Imprisons Parked Cars, via Dan W

“They’re Bankrupting Us!” And 20 Other Myths About Unions

In honor of Labor Day, online orders at Beacon.org are 20% off with the code LaborDay12. Offer ends Sept. 4, so shop now!

0332

This highly readable and accessible book unpacks the twenty-one most common myths and misconceptions about labor in the United States. 

From Wisconsin to Washington, DC, the claims are made: unions are responsible for budget deficits, and their members are overpaid and enjoy cushy benefits. The only way to save the American economy, pundits claim, is to weaken the labor movement, strip workers of collective bargaining rights, and champion private industry. In "They're Bankrupting Us!": And 20 Other Myths about Unions, labor leader Bill Fletcher Jr. makes sense of this debate as he unpacks the twenty-one myths most often cited by anti-union propagandists. Drawing on his experiences as a longtime labor activist and organizer, Fletcher traces the historical roots of these myths and provides an honest assessment of the missteps of the labor movement. He reveals many of labor's significant contributions, such as establishing the forty-hour work week and minimum wage, guaranteeing safe workplaces, and fighting for equity within the workforce. This timely, accessible, "warts and all" book argues, ultimately, that unions are necessary for democracy and ensure economic and social justice for all people.

About the Author

Bill Fletcher Jr. is a long-time racial-justice, labor, and international activist, scholar, and author. He has been involved in the labor movement for decades, and is a widely known speaker and writer in print and on radio, television, and the Web. He has served in leadership positions with many prominent union and labor organizations, including the AFL-CIO and the Service Employees International Union. Fletcher is currently the director of field services for the American Federation of Government Employees.

Read "What is a Union?" from “They're Bankrupting Us!” on Scribd.

Watch Bill Fletcher Jr. on Moyers and Company


Rhizome Digest: Best of Rhizome August

The Universal Texture

Essays

Interface Aesthetics: An Introduction

Interviews

#etinterbro

Artist Profiles

Fiction

Prosthetic Knowledge Picks: Other Worlds

Series

Michele Abeles

More

Thank You to Our Sponsors

We would like to take a brief moment to thank this month’s sponsors. These are the organizations and companies that keep us publishing, so be sure to check them out!

Featured Advertisers

  • Brooklyn Museum- GO is a community-curated open studio project. Artists across Brooklyn will open their studio doors, so that you can decide who will be featured in a group show at the Brooklyn Museum. Voter Registration Deadline: September 9, 2012
  • School of Visual Arts – The NYC art and design school is offering continuing education courses to meet the diverse educational needs of the city’s professional art and design community.
  • Vilcek Foundation - Now accepting submissions for dARTboard, a digital art space that invites foreign-born artists living permanently in the United States and specializing in new media art forms to submit their work for exhibition. Submission Deadline: October 22nd 

Network Sponsors

  • Art Systems – Professional art gallery, antiques and collections management software

If you are interested in advertising on Rhizome, please get in touch with Nectar Ads, the Art Ad Network.

 

Information management

There is nothing wrong with the way I am actually going to spend my day (except that I still need to lay hands on my wretched course reader originals and class notes for the style lecture - why, oh why am I not a much better-organized person?!?), only what I really want is to spend the day in a virtual-reality version of the London Zoo animal audit!  Exceptional slideshow - definitely click through...

(Link via B., who got it here.)

Pere Ubu’s “Song of the Bailing Man” album…



Pere Ubu’s “Song of the Bailing Man” album came out August 30, 1982. Here’s “Horns Are a Dilemma” from it.

Kirk Your Enthusiasm (24)

Twenty-fourth in a series of posts, each one analyzing a single Captain Kirk scene from the Star Trek canon.

***

Watching Kirk vs. Gorn | “Arena” | Star Trek: The Original Series | Season 1, Episode 18 | January 1967

Even at first glance, the “Arena” episode of Star Trek is a rather odd one. The lion’s share of the action occurs on an (unnamed) blank slate of a planet; the only players are Kirk and the (unnamed) reptilian captain of the Gorn vessel, battling it out in a gladiatorial match to the death. There is something very meta about this scenario. Even more meta, though, is the fact that — much like the show’s audience, which has gathered around TV sets at home — the bridge crew of the Enterprise gathers around their viewscreen in order to catch the action. Surely, in this McLuhanesque scene, the show’s creators signal that they know exactly how and why Star Trek will gain a cult following, particularly in this age of Hunger Games fever. In telling an ongoing story about Kirk — a rugged individual who flaunts not only the too-civilized rules of the Federation but the too-uncivilized rules of the galaxy’s savage denizens — they’re requiring high participation on the part of the audience, who must actively fill in the gaps in the show’s low-res universe. In doing so, they’re encouraging us — like the Enterprise crew — to identify with Kirk. As a result, those of us who have grown up watching Star Trek would all like to think ourselves as Kirk: confident in morality without being aloof, clever in problem-solving without pretension, brave in battle without foolhardiness. On our best days, anyway.

***

POSTS IN THIS SERIES: Justice or vengeance? by DAFNA PLEBAN | Kirk teaches his drill thrall to kiss by MARK KINGWELL | “KHAAAAAN!” by NICK ABADZIS | “No kill I” by STEPHEN BURT | Kirk browbeats NOMAD by GREG ROWLAND | Kirk’s eulogy for Spock by ZACK HANDLEN | The joke is on Kirk by PEGGY NELSON | Kirk vs. Decker by KEVIN CHURCH | Good Kirk vs. Evil Kirk by ENRIQUE RAMIREZ | Captain Camelot by ADAM MCGOVERN | Koon-ut-kal-if-fee by FLOURISH KLINK | Federation exceptionalism by DAVID SMAY | Wizard fight by AMANDA LAPERGOLA | A million things you can’t have by STEVE SCHNEIDER | Debating in a vacuum by JOSHUA GLENN | Klingon diplomacy by KELLY JEAN FITZSIMMONS | “We… the PEOPLE” by TRAV S.D. | Brinksmanship on the brink by MATTHEW BATTLES | Captain Smirk by ANNIE NOCENTI | Sisko meets Kirk by IAN W. HILL | Noninterference policy by GABBY NICASIO | Kirk’s countdown by PETER BEBERGAL | Kirk’s ghost by MATT GLASER | Watching Kirk vs. Gorn by JOE ALTERIO | How Spock wins by ANNALEE NEWITZ

SCIENCE FICTION ON HILOBROW Peggy Nelson on William Shatner as HiLo Hero | Greg Rowland on Leonard Nimoy as HiLo Hero | Peggy Nelson on William Shatner in Incubus | Matthew Battles on enlarging the Trek fanfic canon | Jack London’s The Scarlet Plague, serialized | Rudyard Kipling’s With the Night Mail, serialized | Arthur Conan Doyle’s The Poison Belt, serialized | H. Rider Haggard’s When the World Shook, serialized | Edward Shanks’ The People of the Ruins, serialized | William Hope Hodgson’s The Night Land, serialized | Radium Age Supermen | Radium Age Robots | Radium Age Apocalypses | Radium Age Telepaths | Radium Age Eco-Catastrophes | Radium Age Cover Art (1) | SF’s Best Year Ever: 1912 | Radium Age Science Fiction Poetry | Enter Highbrowism | Edgar Rice Burroughs | Karel Čapek | Buster Crabbe | August Derleth | Charlotte Perkins Gilman | Hermann Hesse | Aldous Huxley | Inez Haynes Irwin | Alfred Jarry | Jack Kirby (Radium Age sf’s influence on) | H.P. Lovecraft | Maureen O’Sullivan | Sax Rohmer | Upton Sinclair | Clark Ashton Smith | E.E. “Doc” Smith | Olaf Stapledon | H.G. Wells | Yevgeny Zamyatin | AND LOTS MORE

CHECK OUT HILOBOOKS: In 2012-13, HiLobrow is serializing ten overlooked works of science fiction from the genre’s (1904-33) Radium Age; and HiLoBooks is publishing them in paperback! Here are the first six titles: Jack London’s The Scarlet Plague (in May, Introduction by Matthew Battles; PURCHASE NOW), Rudyard Kipling’s With the Night Mail and “As Easy as A.B.C.” (in June, Introduction by Matthew De Abaitua and Afterword by Bruce Sterling; PURCHASE NOW), Arthur Conan Doyle’s The Poison Belt (in August, Introduction by Joshua Glenn and Afterword by Gordon Dahlquist; PURCHASE NOW), H. Rider Haggard’s When the World Shook (in October, Introduction by James Parker; PURCHASE NOW), Edward Shanks’ The People of the Ruins (in November, Introduction by Tom Hodgkinson; PURCHASE NOW), and William Hope Hodgson’s The Night Land (in April 2013, Afterword by Erik Davis; PURCHASE NOW).

The People of the Ruins (15)

HiLobrow is pleased to present the fifteenth installment of our serialization of Edward Shanks’ The People of the Ruins: A Story of the English Revolution and After. New installments will appear each Thursday for 16 weeks.

Trapped in a London laboratory during a worker uprising in 1924, ex-artillery officer and physics instructor Jeremy Tuft awakens 150 years later — in a neo-medieval society whose inhabitants have forgotten how to build or operate machinery. Not only have his fellow Londoners forgotten most of what humankind used to know, before civilization collapsed, but they don’t particularly care to re-learn any of it. Though he is at first disconcerted by the failure of his own era’s smug doctrine of Progress, Tuft eventually decides that post-civilized life is simpler, more peaceful. That is, until northern English and Welsh tribes threaten London — at which point he sets about reinventing weapons of mass destruction.

Shanks’ post-apocalyptic novel, a pessimistic satire on Wellsian techno-utopian novels, was first published in 1920. In October, HiLoBooks will publish a beautiful new edition of The People of the Ruins, with an introduction by Tom Hodgkinson.

SUBSCRIBE to HiLobrow’s serialized fiction via RSS.

LAST WEEK: “‘And I got this—look!’ Jeremy peered at something she held up to him, but could not make out what it was. She thrust it into his hand, and he felt a small round metal box, the size and shape of half an egg.”

ALL EXCERPTS: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16

***

CHAPTER XV
FLIGHT

1

The old man had not moved from the spot or the attitude in which Jeremy had left him. He still stood by the horses, holding the bridles, his head fallen forward on his chest.

“Don’t say anything to him,” Jeremy whispered hurriedly to the Lady Eva. “He’s… he’s strange.” She nodded in reply. Her father, however, took no notice of her, if he saw her, but only turned mutely to Jeremy as though awaiting orders. It then first occurred to Jeremy to ask himself what they ought to do next. The inhuman power which had sustained him so far and had given him supernatural gifts of foresight and decision, now without warning deserted him. He found himself again what he had been before, an honest, intelligent and courageous man, placed by fate in a situation which demanded much more of him than honesty, intelligence, or courage. He felt like the survivor of a midnight shipwreck who loses in a flurry of waves the plank to which he is clinging and is abandoned to the incalculable and hostile forces of darkness and the sea.

He turned to the girl and asked her advice; but she shook her head dumbly. She had followed him there as a child follows its guardian, without questioning him, accepting his wisdom and his will as though they had been the inalterable decrees of Providence. In despair he addressed the Speaker as he would have addressed him a week or even a day before, seeking to learn if there was any well-affected magnate in whose house they could find refuge.

A change became visible on the old man’s face. He seemed to be struggling to think and to speak, and in his eagerness he sawed the air with his disengaged hand. At last he ejaculated in a strange, hoarse voice, produced with effort, which jerked from fast to slow and from the lowest note to the highest, as though he, had no control over it:

“Can’t make peace with the President now—can’t give him up the Chairman alive. Thomas Wells took the Chairman prisoner and cut his throat.” Then he added with a sort of dreadful reflectiveness: “Thomas Wells always did say that he believed in making sure.” And so, having delivered what was perhaps his ultimate pronouncement on statecraft, he resumed his former position, motionless, except that now and then a violent fit of shivering shook him from head to foot. Behind the little group the houses in Piccadilly burned up higher and painted lurid colors on the sky, and away on the other side of the Treasury a great fountain of golden sparks, dancing and gyrating, showed that one of the houses on the Embankment, apparently Henry Watkins’ house, had now been fired. But in the garden the shadows only wavered and flickered feebly, and the noise of the flames, and of the looting of fleeing crowds, came incredibly thin and gentle. Jeremy and Eva and the Speaker seemed in this obscurity to have been sheltered away from the violence of the world in a little haven of miraculous calm, the walls of which, however, were yet as tenuous and unstable as those of a soap-bubble.

Jeremy pondered again, while his companions silently and expectantly regarded him. After a minute he said in a very gentle tone: “Eva, I know so little… if we could get down to the coast, do you think we could find a boat to take us over to France?”

“I think so,” she replied doubtfully. “I know that there are boats that go to France, of course. But what shall we do when we get there?”

“I don’t know. I shall find some way of looking after you. But anyway, we must do that because there’s nothing else for us to do, unless we give ourselves up.”

“I won’t be taken by Thomas Wells,” she said, with a catch in her voice.

Jeremy set his teeth hard to keep back his exclamation. “We’ll do that,” he assured her firmly. “But first of all we must go back to the house and get things to take with us.”

They found their way in silence through the gardens, Jeremy leading one horse and the Speaker the other and Eva walking by Jeremy, holding his free hand. They searched the stables first, and there, to their delight, found two fresh horses, strong, ugly beasts, not elegant enough for the Speaker’s carriage or to go with the army, but very suitable for such a journey as was now proposed. They also found a lantern which Jeremy took with him into the Treasury. He returned after a while with a supply of bread and meat and some clothes. Then they went as quietly as possible around to the courtyard, there to make their preparations.

Eva helped Jeremy to pack the saddle-bags, while he explained his intentions to her. The coast round the mouth of the Thames, he thought, and probably as far as Dover, would be overrun at once by the Welsh invaders, and it would be fatal for them to go in that direction. He therefore proposed to double west, strike across Sussex, and make for one of the Channel ports there or farther on in Hampshire. He thought that he could find his way, and that if they made haste they would escape pursuit. His plans beyond that were of the vaguest: he supposed that in the end he could put his mechanical knowledge to some use. Perhaps later on they might even return to England, if the country remained unsettled, and assert the Speaker’s claims against the usurpers. As he uttered this cloudy fragment of comfort he thought of the wandering Stuarts and chuckled to himself, sourly but half-hysterically, at finding himself in so romantic a situation.

Meanwhile the Speaker sat crouched, where Jeremy had placed him, on an old mounting-stone in the courtyard, muttering continuously under his breath. When all was ready for their departure, Jeremy went over to him, arranged a cloak to hide his conspicuous face and beard, and put a hand under his arm to raise him up. The old man stiffly acquiesced, still mumbling.

“What did you say, sir?” Jeremy asked gently.

“Thomas Wells always did say that he believed in making sure,” the Speaker repeated with a terrifying evenness of intonation.

Jeremy twisted his shoulders impatiently, as though to shake off an evil omen, and led the stooping figure over to where the horses stood ready. The noise of the rioting and plundering came to them more distinctly here in the courtyard; but Whitehall itself was strangely quiet, as though the frenzied crowds had left the Treasury untouched in order to placate the fast-approaching invaders who were to be its new tenants and their new masters.

Jeremy had just seated Eva on one horse and the Speaker on the other and was preparing to lead them out, when they heard the clatter of hoofs coming furiously down Whitehall, rising loud and clear above the confused sounds that filled the air. There was something arresting, sinister, and purposeful in that sharp, staccato sound, and, as if by instinct, they drew together in the dark entrance to the courtyard, while Jeremy hastily blew out the lantern. Then the rider reached them, drew rein, and halted a yard or two away from them, peering into the shadow. They could see him only as a vague shape, thickly cloaked and muffled, while behind him in the distance little figures hurried aimlessly into or out of the dull glow of Henry Watkins’ house. Jeremy put one hand on Eva’s arm lest she should make a rash gesture, while with the other he grasped firmly the barrel of one of his pistols.

The horseman continued to stare at them without moving, as though uncertain whether what he saw in the gate was shadow or substance. But suddenly the flames opposite shot up higher and brighter and cast a red dancing reflection on their faces; and Jeremy felt like a fugitive whose hiding-place is unmasked. The horseman spoke at last, and Jeremy recognized with a shudder the calm drawling voice.

“Well, who are you?” he said. “What do you mean by looting here?” Jeremy clutched the girl’s arm more tightly and made no reply, hoping that in the doubtful light they might still pass for stray fugitives. But the man urged his horse a little nearer, leaning over to look at them, and saying: “Speak up! It’ll be the worse for you if you don’t. I’m looking for the Lady Eva. Have you seen—” And then as he leant still closer, in astonishment, “By God!” Jeremy brought round his arm like a man throwing a stone and dashed the pistol-butt heavily in Thomas Wells’s face.

The Canadian uttered a choked cry, sagged forward on his horse’s neck, and slid free to the ground on the other side. Jeremy fumbled for the bayonet which he still carried with him; but Eva plucked agonizedly at his shoulder, crying: “Jeremy! Jeremy, come!” He hesitated a moment and heard a louder sound of galloping hoofs approaching. Then he jumped into Thomas Wells’s empty saddle, turned the horse and rode out into Whitehall, drawing the girl and the old man after him. A few minutes later they were fighting their way through the thickening crowd of fugitives that still poured southwards over Westminster Bridge.

*

When day broke they were well clear of the southern edge of London, and a little later they were crossing the broad ridge of the North Downs. They had made a dizzy pace during the short night, and Jeremy, who was no horsemaster, but knew that the horses must be nearly finished, called a halt and suggested that they should rest a little in a small grove which lay on the southern slope of the hill.

The old man, who was calm and indifferent again, and had ceased his muttering, rested his back against the trunk of a tree, his arms falling ungainly like the arms of a broken doll. He shivered violently at intervals, but still did not complain: he had not once spoken to his companions since their journey began. Jeremy after a doubtful glance at him, walked to the lower edge of the grove, and the girl followed him, treading noiselessly on the soft pine-needles. While he stared vaguely out over the misty chequer-board of the Weald, he felt her hand placed in his and dared not turn to look at her.

Presently, mastering himself, he cried: “Look, there’s Chanctonbury!” For the mist had just rolled off that far and noble grove, showing it perhaps a little larger than he remembered it, but in every other respect the same. Then he added: “Go and sleep, Eva, while I keep an eye on the road.” But he spoke without force, because he did not wish her to leave him alone, he did not wish to sacrifice these few quiet minutes with her.

“I can’t sleep,” she said. “I can’t sleep again till we are safe. It won’t be long now, will it?”

He shook his head and smiled as confidently as he could.

“I mean, it won’t be long… one way or the other,” she went on, dragging out the words and keeping her eyes with difficulty on his.

2

As they traveled on, through the tumbled slope of the downs and out into the flat country, a sort of quietude, a rigidity of expectation, descended on the little party. There had been so far no sign that they were pursued or that the wave of invasion was extending this way; and Jeremy began to believe that they had escaped from their enemies. But the news of fatal changes in the kingdom had gone before them. The sight of strange travelers on the road was alarming to the workers in the fields. Once, when they would have stopped a rustic hobbledehoy to ask their way, he ran from them, screaming to unseen companions that the Welsh had come to burn the village. Once they found the gates of a great park barricaded as if for a siege, and behind it two or three old men with shotguns who warned them fiercely away. The whole country, as yet untouched by that menacing hand, was in a state of shrinking preparation and alarm.

But they husbanded their provision and went on, independent of all help, striking towards the distant line of hills, which once crossed they would be able to find their way to the coast. From Portsmouth, Jeremy learnt, an inlet now silted up and almost negligible, the smugglers were said to cross to France and back; and a not unusual item in their freight was criminals escaping from justice. So at least Eva had gathered from the stories that used to drift about the Treasury, starting perhaps from some clerk concerned with the prevention or the overseeing of this abuse. Jeremy steered their course there for a little to the west, and trusted to heaven to see them straight to their goal.

Their progress was slow and fretted him, so that at first it was necessary for Eva to calm and console him two or three times in every hour. The Speaker, who had still not awakened from his dream, was manifestly very ill and sometimes kept his seat in the saddle with difficulty. His breath had grown short and stentorous; and he had fits in which he fought for air, while his face became black and the veins in his neck and temples congested. During the worst of these they had to stop and let him rest by the road-side, while Eva loosened his garments, bathed his forehead with water from the nearest ditch, and murmured over him the tender words of a mother over a child. At these times Jeremy would stride away, biting his lip and clenching his hands, muttering that every care Eva lavished on her father was a moment lost in the race for her safety. But before he had gone many yards in his indignation he would ask himself how much anxiety for himself and for his own future happiness with her had done to provoke this fury. Even while his brow was drawn and his lips were still muttering, some independent voice in his brain would be pronouncing judgment on his unworthy weakness and sending him back, quivering with self-restraint, to offer Eva, ungraciously but sincerely, what help he could.

Then she would smile up at him divinely, diverting to him for a moment the flood of loving pity she had poured on her outworn and helpless father. It seemed to him that she, who was the most terribly threatened of the three, stood most aloof, most untouched of all of them, from the cruel things of the world, a person infinitely wise and compassionate, who would comprehend at once the causes of his gusts of passion as well as their futility.

The country-side appeared to be, as Jeremy had indeed expected to see it, greener and richer and fuller than he had ever known it. The crops far and wide were already approaching maturity and promised a full harvest. The woods covered a greater space, but were better cared for; and everywhere men were working in them, tending them, felling trees, or burning charcoal. There seemed to be fewer enclosed fields of grass, while the open commons had grown, and now maintained sheep and cows, goats and geese, herded by ragged and dirty little boys and girls. Even on this journey Jeremy could not help watching curiously all they passed and noting the contrast with his own day, and he saw this rich and idyllic country with something of a constriction at the heart. Apparently in the mad turmoil of the Troubles, while lunatics had fought and destroyed one another, the best of the English had managed to stretch out a hand and take back a little of what had been their own and to restore a little of what had been best in England. And now… Jeremy wished they could have passed through one of the larger country towns to observe its reviving prosperity, but they dared not, and skirted Horsham as widely as the roads would allow them. In the villages there seemed to be a more vigorous life but less civilization. Still, here and there, on ancient houses hung metal plates from which the enamel was not yet all gone, advertising some long-vanished commodity, or announcing that it was so many miles to somewhere else. But the old buildings tottered and flaked away even as Jeremy looked at them; and the new population was sheltered in hideous and rickety barns.

But all this progress through the Weald had the uneven quality of a dream, in which at one moment events are hurried together with inconceivable rapidity, while at another they are drawn out as though to make a thin pattern over the waste spaces of eternity. Sometimes Jeremy rode impatiently a yard or two in front of his companions, eaten up by a burning passion for haste, sometimes with them, or behind them, dull, patient, resigned, uninterested. When he looked at the Lady Eva with anxious or with pathetic eyes, he saw her still serene and controlled. On the first night after their escape they had covered only a little more than half of the distance to the hills, when weariness forced them to stop and rest in a wood not far from Slinfold. From the edge of the wood they could see the village, where one light still burned, perhaps that of the inn; and some desire for company made them rest in a spot where they could keep it in view. At first it was an intense and brilliant point in the soft, melting dusk and later, as the darkness grew complete, the only real thing in a country that had become mysterious and intangible.

Jeremy had wished to go on into the village and find a lodging there, so that the old man might be made comfortable at least during the night. But on reflection he decided that the fewer witnesses they left behind of their passage across the country the greater would be their chances of safety. It was not impossible that Thomas Wells or the President should send out scouting-parties after them; and the Speaker was a noticeable man. He therefore announced, as the leader from whose decision there was no appeal, that they would sleep in the open; and Eva, gravely nodding, acquiesced. They made a bed for the Speaker of dry leaves, such as still lay under the trees, and the saddlecloths, and disposed him on it. He was for once breathing easily and quietly, and obeyed them like a very young child. But no sooner was he asleep than his day-long silence and passivity gave way to a restless muttering and gesturing. Jeremy, bending over him, could distinguish nothing in the torrent of words that came blurred and jumbled from the blackened lips; but he recognized in the rise and fall of the voice a horrible likeness to those long and furious tirades on the future of England, of which he had been the recipient during his days in the workshops.

He covered up the Speaker with a shuddering tenderness, left him, and came back to Eva, who had settled herself with her back against a tree. As soon as he sat down at her side she slipped wearily into his arms and, looking up at him, said softly, “We love one another, Jeremy”—not an appeal or a protestation, but a simple statement of fact, of the last certitude which remained unassailable in this moving and deceitful world. She said nothing more before she fell asleep with her head on his shoulder; and in a little while in this cramped and uncomfortable position he too slept.

The next day they pressed on again; but they had not gone many miles before it became obvious that the Speaker was much worse, was in a high fever and was growing delirious. His eyes shone brilliantly and seemed to have increased in size and his cheeks were flushed with a deep red. Once, when from exhaustion and misery they had for a moment ceased to watch him and to hold him in his saddle, he checked his horse, slid off and made unsteadily for a wood which lay some distance on one side of their way. Jeremy had to dismount, go after him, and drag him back to the road by force. Now for the first time he began to speak aloud and intelligibly, to rave of what he intended to do for England, how he would strengthen her government and renew her civilization, how he would teach the people their ancient arts and make them again the most powerful in the world.

By this time Jeremy, persevering mutely and patiently, was conscious of the old man only as an intolerable burden on their flight. He even revolved plans of letting him escape or leaving him by the roadside, arguing furiously in his mind that to drag along with him a man so obviously past saving, a man who, at the best, all disasters aside, was anyway without doubt at the end of his life, was inviting destruction for himself and Eva, who were young and vigorous and hopeful, and had all their life and their love before them. But he knew very well that he could make no connection between his logic and the reality. He sometimes caressed the girl’s shoulder with a clumsy gesture and she smiled at him in reply. All through that day hardly a word passed between them which was not necessary. To all appearance their only link might have been the ancient and insensible being with whose safety they were charged. But in their silent union to serve this end, in the accord moved and ratified by a look or a lifted finger, Jeremy recognized and was exalted by the inevitability, the invincibility of the bond that held them. Somehow he had been launched flying at random through the centuries and had fallen at the side of this one woman. Life might do with them what chance directed; but they had met, and out of that meeting had arisen their love, which was a stable and eternal thing, which he felt to be unmoved even in these death-throes of a world.

Amidst such delays they did not come until nightfall to the road which runs along the foot of the Downs, and at which Jeremy had been aiming. Just as they entered it from a deeply-rutted side-track, the old man uttered a heart-rending sound and collapsed on the neck of his horse in the worst crisis he had yet suffered. Jeremy reined in and stopped, his brow contracted, his heart sinking as he realized that it was impossible to push on. Then with a sigh he dismounted, and lifted the Speaker to the ground. As he did so it seemed to him that in this short time the old man’s great bulk had wasted and grown frail, so that his body was no heavier than that of a child. Eva too dismounted, and, bending over her father, attempted to restore him, but without effect. It seemed every moment that his loud and labored breathing must cease from sheer inability to overcome the impediment that hung on it. His delirium had passed into a pitiful and not peaceful stupor; and Jeremy began to believe that death was at hand.

He contemplated the fact without emotion; but Eva grew agitated, caught him by the hand, and cried, “What shall we do? What can we do?” And then, before he could reply, she went on, “Look, there are some houses in front of us: we must be coming into a village. Let’s try to get a lodging, whatever the risk may be. He mustn’t die like this by the roadside.”

Jeremy stood up and gazed where she pointed. A few houses were dotted among the trees, and lights flickered here and there. For a moment he was balanced between protest and consent.

“Very well,” he said in a level tired voice, “I’ll go on, and see what sort of a place it is. Will you not be afraid to be alone with him till I come back?” She shook her head, and he set off.

As soon as he entered the tiny village, dogs ran out from the yards, barking and snapping at his heels. He kept them off with his riding-whip, and stumbled along looking for the inn. Vague thick-set shapes lurched past him on heavy feet, and vanished here and there. Presently, after he had tripped over a rut and fallen headlong into a heap of evil-smelling refuse, he came upon a little ramshackle hovel which seemed, from the noise of conviviality issuing through the half-open door, to be what he sought. He paused outside for a moment, brushing the filth from his garments and listening.

Inside, the worthies of the village were rejoicing after the day’s work. Jeremy could hear the slow, long drawn-out sound of Sussex talk, not changed by a couple of centuries (or rather thrown back by that interval into the peculiarity it had at one time seemed likely to lose) and the noise of liquor being poured and of pots being scraped on a table. Then a voice was raised in song, and all the laborers joined it, roaring and shouting in unison. Jeremy’s momentary hesitation lengthened, continued, grew timeless… His tired brain was going round, the dark scene about him was melting and being built up again. He forgot why he was there or whence he had come. He could only remember, vaguely struggling still to realize that this was not it, one particular night, very black and wretched, when they had been hauling up the guns in preparation for the opening of the Battle of the Somme, and all the men of the battery had sung in chorus to keep themselves cheerful. This was like a shadow-show in which he could not tell the real from the fictitious. Who and where was he? Who was singing that familiar, that haunting or haunted melody? Was it those old comrades of the German wars who had suffered with him in the Salient, and at Arras, and by Albert, or could it be…? He could not hear the words until at last they came to him clearly in the emphasis of the last repetition, as the laborers shouted together:

Pack up my troubles in some owekyebow
And smile, smile, smile!

The recognition of the garbled words, the subtly altered tune, shot him back at once from that middle world of fantastic unreality to the immediate problem, the flight, the Speaker fighting to get his breath a few hundred yards down the road. His first start of surprise had carried his hand to the latch and he pushed the door open, and went into the low, brick-floored, reeking parlor.

His entrance produced an immediate hush. Pots were arrested half-way to thirsty mouths and every eye stared roundly at him. It seemed to him too that there was a slight involuntary shrinking away from him among all these hearty, earth-stained men, but he was too weary to do more than receive the impression without curiosity as to its meaning, without more than a flickering and uninterested recollection of the fact that he was unarmed. But immediately a relaxation succeeded the hush and the inn-keeper pushed forward, saying.

“Why, I did think as how you was one of them Welshmen come back again!”

This speech was to Jeremy as though a dagger of ice had been driven into his heart, and the room swayed round him. But he betrayed no trouble in his expression, took a firm grip on his mind and laughed with the inn-keeper at the idea. All the rustics joined in his laughter, nudged one another, went forward with their interrupted drinking, and murmured,

“That’s a good’un!”

When the merriment had a little subsided, he asked as casually as he could manage whether the Welshmen had been there that day. All at once began to tell him how a party of soldiers speaking a strange, hardly recognizable tongue, had entered the village early in the morning. Their leader, who could just make himself understood in the eastern speech, had held an inquisition and had terrified the inhabitants almost out of their wits. They had also emptied a barrel of beer, and made off with a sucking-pig and a good many fowls before riding away. The villagers, it seemed, had been too much concerned in keeping out of their way to be certain what direction they had taken; but Jeremy gathered that they had scattered, some going towards Houghton Bridge, some towards Pulborough, some towards Duncton.

“Too bad,” said Jeremy sympathetically, his wits working at high speed and warning him to be cautious. “What do you suppose they were looking for?”

“Some tale about an old man and a young man and a young woman,” the inn-keeper grumbled. Jeremy nodded negligently in reply, and the inn-keeper went on, “And what might you be wanting yourself?”

Jeremy explained that he had been unexpectedly overtaken by darkness on the way to Arundel, and that he was looking for a bed. A friend, he said, was waiting just outside the village for his report: anything would do, he added, desiring to be plausible. He and his friend were easily served and used to roughing it: a truss of hay in a loft or a corner in a shed under a cart would be enough for them.

“We can do that for ‘ee,” replied the inn-keeper hospitably, and Jeremy, thanking him, said that he would fetch his friend and return at once. When they returned, he observed, as he slid through the door, he hoped the whole company would still be there to drink to their health. He left the inn a popular and unsuspected person. But when he was a few yards away from it he began to run, and he blundered desperately through the darkness till he came to Eva and her father, the old man still lying prone, the girl crouched by his side under the hedge.

“Eva—” he began, panting.

“Have you found a place, Jeremy?” she cried anxiously. “I think we could get him there now. His breathing’s easier, and—”

Jeremy took her by the shoulder and spoke calmly. “Listen,” he said. “We can’t go into that village or any other. There’s been a party of the President’s men there to-day looking for us, and they’re still about somewhere.”

She turned her shadowed face up to him and listened attentively without opening her lips. “There’s only one thing we can do,” he went on with the same coolness. “We must get up at once on to the downs and leave the horses here. I used to know them pretty well and we ought to have something like a chance of hiding there if they chase us. We can crawl right along, never getting far from cover and only just crossing roads, till we’re near Portsmouth. There’s no help for it, Eva. They’re looking for us: you know what that means.”

For a moment it seemed that she would rebel; and then she bowed her head and put her hand in his. “Very well,” she said in a quiet voice. “We must do as you think best.” Jeremy had the impression that, from some divine and inconceivable height, she was humoring his childish attachment to this bauble of her life. Instinctively he took her in his arms and kissed her and felt the passionate response of her whole body. In the next second they were again practical and cold, taking from the saddle-bags and hanging about them such of their store of food as still remained. Then they lifted the Speaker between them and found that there was just enough strength left in his limbs to carry him along if he was strongly supported on both sides. A few yards away from them a narrow track, trodden in the chalk, glimmered faintly; and they turned into it, making a slow and labored progress up the side of the hill.

***

* Chanctonbury: Chanctonbury Ring is a circle of beech trees marking the former site of an iron age fort atop Chanctonbury Hill on the South Downs, in the county of West Sussex. It looks across the Weald (an area situated between the parallel chalk escarpments of the North and the South Downs) to the north. In most digitized versions of The People of the Ruins, the name is misspelled Chanetonbury. PS: The Weald also features in Arthur Conan Doyle’s science fiction novel The Poison Belt.

* “Pack up my troubles in some owekyebow”: “Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile” is a World War I marching song.

NEXT WEEK: “Thus they waited without moving, they did not know how long, while the trackers advanced, vanished in a fold of the ground, began to emerge again. Then one of them uttered a harsh piercing view-halloo, that echoed horribly through the empty fields and sky; and in the next moment Jeremy felt Eva’s hand tighten on his convulsively and then a weight behind it, dragging it back.”

Stay tuned!

***

RADIUM AGE SCIENCE FICTION: “Radium Age” is HiLobrow’s name for the 1904–33 era, which saw the discovery of radioactivity, the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. This era also saw the publication of genre-shattering writing by Edgar Rice Burroughs, Sax Rohmer, E.E. “Doc” Smith, Jack London, Rudyard Kipling, Arthur Conan Doyle, Aldous Huxley, Olaf Stapledon, Karel Čapek, H.P. Lovecraft, Charlotte Perkins Gilman, Yevgeny Zamyatin, E.M. Forster, Philip Wylie, and other pioneers of post-Verne/Wells, pre-Golden Age “science fiction.” More info here.

HILOBOOKS: The mission of HiLoBooks is to serialize novels on HiLobrow; and also, as of 2012, operating as an imprint of Richard Nash’s Cursor, to reissue Radium Age science fiction in beautiful new print editions. So far, we have published Jack London’s The Scarlet Plague, Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”), and Arthur Conan Doyle’s The Poison Belt. Forthcoming: H. Rider Haggard’s When the World Shook, Edward Shanks’ The People of the Ruins, and William Hope Hodgson’s The Night Land. There’s more to come! For more information, visit the HiLoBooks homepage.

READ: Jack London’s The Scarlet Plague, serialized between January and April 2012; Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”), serialized between March and June 2012; Arthur Conan Doyle’s The Poison Belt, serialized between April and July 2012; and H. Rider Haggard’s When the World Shook, serialized between March and August 2012.

READ: HiLobrow’s previous serialized novels, both original works: James Parker’s The Ballad of Cocky The Fox (“a proof-of-concept that serialization can work on the Internet” — The Atlantic) and Karinne Keithley Syers’s Linda Linda Linda. We also publish original stories and comics.

Citigroup has announced an agreement to use the services of Watson, the IBM supercomputer that…

Citigroup has announced an agreement to use the services of Watson, the IBM supercomputer that gained renown last year when it beat a couple of humans on the US quiz show Jeopardy . A spokesman for the bank said: “We are working to rethink and redesign the various ways in which our customers and clients interact with money.” A news release added that Citi was looking for a “first of a kind customer interaction solution combined with Watson’s deep content analytics”.

A supercomputer for Citigroup - FT.com

Next Page »